Flicking Through Netflix: Mad Monster Party

Well, it’s just about that time of year again and I’m already in a spooky mood.  I want ghosts and goblins, witches and werewolves.  I already want to carve my pumpkin and put out my plastic tombstones.  That’s right, folks, it’s almost time for Halloween again and I’m really excited.  So, as a little pre-holiday gift to myself, I have decided to start celebrating a little early.  I’m taking a look at a claymation special that that caught my eye a while ago.  A special made by the famous team of Rankin and Bass.  Not one of those Christmas specials you all know and love.  I’m talking about Mad Monster Party.


Mad Monster Party is, admittedly, a movie that’s a bit hard to describe without some help.  So allow me to let Netflix describe it for me.  “Dr. Frankenstein makes plans for his retirement and convenes a meeting of all monsters to announce his replacement. As word spreads that the doctor is going to choose his young nephew for the position, the visiting creatures plot a coup d’état that would leave Dr. Frankenstein retired … permanently.”  ~Netflix

While the above plot is technically true for this movie, I will say that plot doesn’t seem to be what this movie is concerned with.  Most of the time, to drive the story forward, the movie relies on comedy set pieces that mostly go nowhere.  I kept comparing it in my head to Looney Tunes cartoons in that it mostly relies on jokes, slapstick comedy, and wit to keep the plot moving.  Unlike Looney Tunes, however, this movie is a bit short on the laughs for me.  Most of the jokes and slapstick falls flat on its face for me and I believe a lot of that has to do with the animation.

I’m sorry to say this, but a lot of the old Rankin/Bass specials have just not aged well at all.  This special, for example, is animated pretty poorly by today’s standards.  There are multiple instances where the animation is just really jerk-y and static-y.  Usually, the age of a movie doesn’t matter to me, but in this case I was just always very aware that I was watching a movie made in the 60s.  It took me out of the experience a bit.  However, while the actual movement of the characters were pretty bad, the characters themselves were pretty good.  Mostly from a design standpoint.

I think all the monsters and characters are designed uniquely and creatively.  They all have the classic Rankin/Bass look to them, meaning you know that each character was designed with great care and thought.  Though, the generic “hot woman” of this piece looks like every other generic “hot woman” from the Rankin/Bass specials.  The voice acting is, for the most part, pretty good too. Most of the voice acting is done by one guy, but there are two fairly major stars in this piece:  Boris Karloff playing Boris von Frankenstein and Phyllis Diller playing the Monster’s Mate.  Boris did a spectacular, dead-on job but Phyllis… Look, lady. You’re a fantastic woman with a great sense of humor. But in this movie, did you HAVE to do that signature laugh after EVERY SINGLE LINE? I kept thinking “We get it, you’re Phyllis Diller. ENOUGH with the laugh.”

There are a few really random, completely unnecessary, and bizarrely pointless song numbers in this movie.  The songs always had very little to do with what was going on in the story or scene at the time.  If they had removed the song numbers altogether, the movie would have been better off.  I just didn’t find any enjoyment in them at all.

In the end, this was a movie that was worth watching at least once.  If you grew up with those classic Christmas movies like Rudolph and Santa Claus is Coming to Town and the Year Without a Santa Claus, I think you’ll enjoy giving this movie a shot.  It has the same feel of those movies, but with Halloween in place of Christmas.  At least for me, despite the subject matter, repeat viewings of this are probably not gonna happen.  It’s a shame, because I was expecting one monster of a good time.


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